“Weariness” explored the long-standing existential debate on boredom. Inexorable as it might seem, boredom can alternatively be interpreted as an awakening of latent consciousness -- an interval in which habitual meaning dissolves and perceptual awareness quietly burgeons.
"Closure" reflected one of the fundamental human predisposition for conclusion. Anxious and weary of the ambiguities, we possess an innate predliection for a definite answer. This work abstractly portrayed this transition -- how we evolve from the drastically turbulent mental activity (left) to the composed, comfortable closure that we ultimately reach (right).
"Zoning-out" is inspired by an awkward moment of my cat Iggy, who forgot to take back her tongue while zoning out after her nap. This work experimented with a starkly contrasting palette characteristic of glitch aesthetic. By brutal tilting and arbitrary layering, this work adhered to some grid structure while intentionally dismantling others, challenging the conformity that defines Swiss aesthetic.
"Overexposed" is inspired Lou Reed's album cover, "Transformer (1972)", which is technically overexposed. Directional rhythm of geometric shapes signified his unorthodox public presence.
"Bicolorism" echoed the philosophy of my tuxedo cat Iggy. This work investigated how every element in the world can be reduced into a binary alternative, where Iggy preserved her integrity.
"Paranoid" explored coffee's duality. Extensive usage of organic forms signifies how it's been decently made and served, yet it belies the compulsion and urge roaring beneath.
This banner extensively applied randomized rhythm between dots (letters) and lines (horizontal), bringing the serenity and moisture of tea harvesting season to life.
Inspired by The Stone Roses, this design uses lemon as a restrained yet vivid symbol of summer -- brisk, tactile, yet inevitably fleeting -- with a dynamic yet balanced composition driven by organic linear elements
This poster is in memory of Mani Mounfield, the bassist @ The Stone Roses, who passed away in 2025 with an age of 63.
"Where Is My Mind" fragmented physical spaces and confronted movement of geometric elements with the stasis of grid.
In this rectilinear and monochromatic self-intro, I adapted myself into Iggy's bicolor design system and defined our presence within angular forms along with dramatic tension against negative space.
Vibrant Bauhaus illustration with for an AI learning platform. This work experimented with the dramatic collision of intense blue and orange, invigorating the landscape with bold drops of ink.
